Pederasty — erotic relations between adult men and adolescent boys — was a central characteristic of Greek culture. Both Greeks and non-Greeks saw it, along with the gymnasium with its intimate connection to pederasty, as markers of Greek identity. It is an important theme in Greek literature, from poetry to comedy to philosophy and in Greek art as well. In Athenian vase-painting, in particular — the painted scenes that decorate clay drinking vessels produced in Athens between the 6th and the 4th centuries BC — pederasty is a major theme: indeed, pederastic courtship is one of the mortal activities most commonly depicted. This lavishly illustrated book brings together, for the first time, all of the different ways in which vase-painting portrays or refers to pederasty, from scenes of courtship, foreplay, and sex, to scenes of Zeus with his boy-love Ganymede, to painted inscriptions praising the beauty of boys. The book shows how painters used the language of vase-painting — what we call iconography — to cast pederasty in an idealizing light, portraying it as part of a world in which beautiful elite males display praiseworthy attitudes, such as moderation, and engage in approved activities, such as hunting, athletics, and the symposium.